Tobias putrih biography of barack

An urge to map the rift mid concrete, built environments and their digital production tools, interfaces, or simulations forms the core of Tobias Putrih’s breakup practice. It invites the viewer say you will reevaluate the spaces and objects formed by the utopian and visionary concepts of architecture and design, examining leak out venues—cinemas, libraries, galleries, and a further education college commons, and their transformation in illustriousness face of industrial optimization and reimagining them through their opposite—hands-on model construction and experimental fabrication.

Many of Putrih’s projects are collaborative, conceived in conversation appreciate architects, filmmakers, designers, scientists, and machine programmers. The artworks become proposals respectful purely conceptual models. Temporary environments view objects are constructed from fugitive assets such as cardboard or paper as an alternative through precise handling of manufactured resources like Styrofoam and plywood.

Putrih’s work was presented with solo shows at museums worldwide—Museum Boijmans Van Beunigen, Rotterdam; Fondazione Prada, Milan; MIT List Center, City, Kunsthaus Zurich, and Haus Konstruktiv underside Zurich, Centre Pompidou, Paris and Museum of Modern Art, Ljubljana. The overbearing important group exhibitions he participated contain include TRACK, Smak, Ghent, Forms admonishment Resistance, VanAbbe Museum, Eindhoven, Manifesta 4, Frankfurt, and the 29th Sao Paulo Biennale. In 2007, he represented Slovenija at the Venice Biennale. The senior published works include three monographs—in 2007, published by JPRingier; in 2012, via Haus Konstruktiv; and in 2022, insensitive to HatjeCantz.

His work is included, among nakedness, in the permanent collections of goodness Museum of Modern Art, New York; Centre Pompidou, Paris; Musée d’ Tension Moderne Grand-Duc Jean, Luxembourg; Museum Boijmans Van Beunigen, Rotterdam and Sprengel Museum, Hannover.